Displaced, 2018-2020 is based on research, site-specific art activism, outreach and local collaborations in Greenland, and it examines the archive's role in relation to personal history. The research takes us through two paralell worlds, David's memories of his stay as a child in Denmark in the beginning of the fifties, oral history, Greenlandic way of communicating and the written statements about him and Nanortalik (his place of birth) in the Danish archives. Displaced is based on postcolonial identity and tales of losing ones roots, belonging and language - but also of regaining ownership.
From the text by Louise Wolthers: Listening to Traces
The story unfolds between a detail of a snapshot from Refsnæs Coastal Hospital in the mid-1950s and a 3D visualisation of stones from the beach below the hospital a lifetime later. Between David Samuel Naeman Josef Kristoffersen, one of the children in the photograph, and Tina Enghoff, who has gathered the stones and archival material included in Displaced. David Kristoffersen’s story can begin in different places at different times. Like a thin yet strong thread, it ties Greenland and Denmark together, weaving between the rods of colonisation: displacement, annexation, and silencing. David Kristoffersen’s story is, however, first and foremost his own, and he relates his memories partly in his own voice, and partly by allowing Tina Enghoff to weave new threads into the story in the form of archival material, documentation of physical places, and visual manifestations of states of mind. Individually these traces are subdued and almost negligible, but together they form a chorus of testimony to colonial history that has deep resonance.
From the text by Inge Høst Seiding: Finding Yourself in the Archives
Displaced – something removed from its starting point. From its home. Something lost, something gone wrong. Dislocated.Dislodged. Here we are dealing in a dual sense with two apparently disparate entities – people and archives – but also with the links between them. David Samuel Naeman Josef Kristoffersen’s story reveals both sides of this dual sense of displacement – displacement in the memory of the individual, and displacement in the memory of the archives.
You Run but the Circle Surrounds You, GL-DK 2020 (sample)
2:31 min excerpt of the full length videoinstallation of 10:16. (do not hesitate to contact me to get access to the full videoinstallation)
You Run But The Circle Surrounds You is based on postcolonial identity and tales of losing ones roots, belonging and language - but also of regaining ownership. The young man, Greenlander Kristian Qasdi Mikael Sanimuinaq, who sets out into a small Zealand wood appears simultaneously as the hunter and the hunted. He makes a wordless performance, embodying an experience that superimposes movements in and between Danish and Greenlandic nature.
© Tina Enghoff. All rights reserved.